The music begins quietly enough with a moody dialogue between Brötzmann on bass clarinet and bassist William Parker, but this is not a group that was going to remain docile for long. But, as in Last Exit, that rock energy is harnessed in the service of a greater strength - inspired free improvisation on rough-hewn structures. An all-star cast to be sure, the band had a bit of a rockish tinge with his son Caspar and Nicky Skopelitis aboard on guitars and Golden Palominos founder Anton Fier on drums. His März Combo seems to have been a one-shot venture. "German saxophone behemoth Peter Brötzmann had always had great success with mid-size ensembles, from his protean Machine Gun octet in 1968 to the Chicago Tentet of the late '90s.
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